Salvador Dali metaphysical live action painting

Dali absorbed every new development around him into his metaphysical universe. here he can be seen doing a live action painting performance inside a transparent dome wearing a hat of connected pentagons,(around 1966/67) something that seems to position buckminster fullers dome as the membrane of transition in the hermetic as-above-as-below subject. performing the wet dream of every male action painter as the free unrestricted unhindered expression of the liberal self ("I don't do drugs, I am drugs"). (or a visionary expression of the future subject inside virtual reality)

Carolee Schneeman; up to and including her limits (1973/77)

 

 

 

The drawing accumulations which occur during my suspension on the rope are called automatic writing or trance markings. For non-specified durations I turn myself into a randomized drawing machine. The situation seems personal—being nude, my voice on the tapes, my image in the film—but while the figure on the ropes is actual it becomes less “real” than the woman of the film. There is no idea of “performance” whatsoever; while working on the rope I may not know if there are any spectators or none. The movements and gestures which produce the strokes are controlled by the torsion of my body wound in the rope. My only thought is to be an extension of the rope itself. Until discomfort or loss of concentration occurs I let my entire body function as a pencil.

 

https://archive.thekitchen.org/wp-content/uploads/2015/03/Catalog_Schneemann_Up-To-and-Including-Her-Limits.pdf

 

 

 

 

ITS SO FRESH

https://en.wikipedia.org/wiki/Nug_(graffiti_artist)

Ideal Flow

The art and science of early computational models by Aldo Giorgini

A project by Esteban Garcia Bravo and Tim McGraw - Purdue University

Simulating is a way of learning and deeply understanding natural phenomena. In the mid 1960s, scientists started to use computers to visualize complex mathematical models to further understand the behavior of large bodies of water. At Purdue University, Aldo Giorgini created algorithms to simulate turbulence and other water perturbations beginning in 1967 as part of his research at the School of Civil Engineering. The resulting visual outputs awoke Giorgini's inner artist and motivated him to incorporate the computer-based water simulations as the base for his compositions. This research analyzed primary sources (manuscripts, software documentation and artifacts) found at Giorgini's estate and revisited Giorgini's contribution developing a WebGL interactive application.

from;http://snebtor.org/idealflow/index-b.html