Sedje Hémon was known for being a pioneer of interdisciplinary practices. Her “Method of Integration” developed between 1957-1965 was a theory that aimed to integrate all art forms. One of her discoveries was finding a way to “extract” sound from images. This method consisted of placing a pitch grid onto the painting and extracting data that was then used to compose a musical score. Harmonie was one of the first scores she made using this systematic approach. It was performed in The Hague in 1964. It is symbolic that the piece would come back with a new performance by Ensemble Modelo62 in the framework of an interdisciplinary program involving a composer and artist from diverse backgrounds. https://www.modelo62.com/sedje-hemon
With the exhibition ´abstracting parables´ of Sonsbeek 20→24 in het Stedelijk in Amsterdam Sedje Hemon´s work is put in the context of labor and translation. In this case maybe the translation of a linocut with a gestural drawing of two closed lines into sound. The use of the grid gives the impression of an automatic mechanical analogue translation of line to sound but the work of translation- that is- the interpretation of the data, the choice of the body that will be the medium and the way it is (re)programmed to connect the data to its sound producing organs and the context in which it is presented is what i think makes it meaningful
Daphne Oram 1925-2003 A pioneering electronic composer, inventor of the Oramics Machine
"The Oramics Machine enabled Oram to synthesise and sequence sound by
painting lines and other marks on glass and film strip. Oram invented it
as a new means of musical expression, one that enabled her to finely
control and vary sounds in ways that went beyond the capabilities of
audio tape. https://www.daphneoram.org/oramicsmachine/
The Elements, Forms, and Behaviors referenced within the Processes are defined in the Library:
Forms F1: Circle F2: Line
Behaviors B1: Move in a straight line B2: Constrain to surface B3: Change direction while touching another Element B4: Move away from an overlapping Element B5: Enter from the opposite edge after moving off the surface B6: Orient toward the direction of an Element that is touching B7: Deviate from the current direction http://reas.com/compendium_text/